This is a cute book based on the well-known children's song; The Wheels on the Bus. As this just happens to be one of my grandson's favourite songs, it was perfectly suited to him and he was mesmerised from the start.
The illustrations were excellent, colourful and clear, if slightly childish.
There was a small issue of language here though, as none of the parents who read the book along with me, had any idea what a teeter-totter was, and everyone ended up substituting the word see-saw. Similarly, frisbee would have fitted the rhyme better than disc towards the end. Never mind, small niggles really, my grandson loved it and that's what counts.
This was the first tree book I've read for several years, mainly because it was suggested that I might sleep better. It was an interesting experience, after being a Kindle reader for so long, although I'm not sure my sleep was improved.
This novel has a really appealing cover and It's been a while since I read a book on slavery, but the book wasn't particularly well written and on several occasions I gave up on paragraphs that I simply could not untangle. Sadly this has affected my rating, because the idea of the book, to illustrate a number of ways in which slavery operated at the turn of the nineteenth century, should have worked well.
Being a Young Adult book, the consensus was on five teenagers.
Bert had stowed away on a slaving ship and was now apprenticed to become an able seaman by the age of 16.
Dand had got very drunk during a visit to his local market and become press-ganged into crew for another slaving ship; he is to be sold as a slave when they arrive in Jamaica.
Juliet's father owned a number of trading vessels and one of his products was slaves; she swapped with her cowardly brother to take his place on one of her father's ships, as a boy.
Hassan's father was also a slave trader, although he didn't own the ships, but things didn't go as planned when he travelled with his father to learn the trade.
Ghobi's African family was largely slaughtered, as traders rampaged through the villages, stealing survivors for the slave trade. She is only twelve but her ability to stay aloof and calm the others with admonitions to 'smile and await your chance for revenge', results in her becoming a bit of a leader (medicine woman) amongst the villagers.
Eventually the five teenagers meet up on The Kestrel, Juliet's father's ship. They learn from each other, that slaves are humans with feelings and that slavery is an abominable trade.
Whilst this is an important lesson and the book has a high moral value, it is a pretty graphic read for youngsters, with slaves packed densely in the ships' holds and bloated bodies suffering from cholera, to give just two examples. Maybe not suited for those of sensitive disposition.
I'll be honest from the start, I would never choose to read a Classic, I find them dated and slow, and rather pretentious. However, for some reason, book groups seem to feel a need to foist one on me every so often and their latest offering was Rebecca. "Oh no, you'll love it." they said. Oh no, I won't! Actually, 3 stars isn't bad a for a Classic, Lolita fared worse.
So, poor girl falls on her feet and marries rich man. Hardly an original premise. There was the nasty scheming housekeeper, who tricks poor girl into making a complete fool of herself. And the dead first wife who plays a huge part, even though she's dead.
I don't think I would have made it through all 400+ pages without the help of the very upper-crust, BBC voice of Anna Massey, but although she was a bit irritating, she was the perfect voice for the book.
But the ending - No! No, no, no!!!
This is a simple picture book encouraging empathy for animals and both my young grandchildren loved it. It can sometimes take a few reads for young children to identify with a book but this one had instant appeal.
The little boy in the book obviously loves his cat, but he's sure that it needs cheering up. He tries all the things he thinks might work, but nothing seems to help - until he decides that what the cat needs is love. Clear, easily understood illustrations by Brenda Ponnay, add to the simple narrative.
There are currently three other books in the series: My Good Dog, My Cat, my Dog and My Cat is Fat.
This book, first published in 2005, is an excellent starting point for discussing the issue of worry with young children. Aimed at ages 4 to 6+, many children may have worries that bother them, but that they can't quite identify. As with many childhood skills, the earlier they learn to identify and control worries, the better they are going to be able to cope as they get older.
In the book's illustrations, Worry is represented by a large monster who hovers wherever there is an opportunity for worrying. Some of the scenarios are possible and some are not. For example, one hundred elephants call for tea and you have no tea bags. Don't worry, offer them lemonade instead!
The author provides symptoms of worry to help a child identify that they are actually worried, such as feeling tired, suffering stomachache or nausea.
She helps a child to believe that there may be a solution and not to panic, and advises that a worry will stay as long as you let it.
Most of the time something you worry about never happens, but worries can get even bigger, the more you worry.
Then she suggests how a child can help themselves: think or do something else, put it to the back of your mind or share it with a friend, rationalise it.
While I think this type of book serves a very useful purpose, I'm a bit baffled by the examples of worries that it gives and why it mixes totally impossible scenarios with realistic ones. There's also an example of worrying about the first day at school, and the suggested solution is to take a gift for the teacher, I'm not sure that would still be considered PC.
Most importantly, this is a book to be shared with an adult and discussed, worries brought out into the open and solved. If it helps even just a few children then it will have been well worthwhile.
Highly recommended for parents and primary schools.
As the last strains of my audiobook fade, I wonder what I just listened to? That was so out of my usual reading sphere that I'm not really sure what I think.
The Black Talisman was a supernatural/religious book, completely different from anything I'd read before and although it's always good to try something new, it doesn't guarantee enjoyment.
As with many of today's novels, it has a current day strand (1984) and a past strand (1673), alternating between the two. More than 300 years ago, a coven of witches met and called up their Dark Lord, Anubin. They were thwarted in their plans by the local priest and his associates; and an icon, the Black Talisman became mislaid. This was required for them to reconvene, but it was split into 3 pieces, each hidden separately by members of the church.
Many years later, two youngsters, Monica and Gilbert, find themselves wound up in some frightening events, caused by the search for this artifact.
I'm not a fan of horror, yet in many ways this wan't particularly scary. Some parts were a bit predictable and the churchy bits were fine, I quite enjoyed the angels' appearances. But at the end, when the author described his image of heaven, he lost me. That struck me as rather unnecessary, I felt that the afterword should have been scrapped.
Special mention for the narrator, Jake Urry, whose descriptions of the food served at a gastronomic supper, made my mouth water.
I really enjoyed Mark Sampson's Sad Peninsular (5 stars), so I leaped at the chance to preview another of his books, The Slip. Unfortunately they couldn't have been more different and this one really infuriated me.
The premise was fine, a well known philosophy professor is invited on to live TV to discuss the collapse of a huge Canadian financial institution, that he had written about in one of his studies. Alongside him on the panel is Cheryl Sneed, his rival of many years. He knows she is going to try to wind him up, but he's had a bad day and loses his rag, making a ridiculous comment about the company they are discussing and then compounding it by insulting Cheryl with a misogynistic remark that the world's feminists immediately pounce upon. Social media goes into full swing and his life is hell for the next several days.
What really annoyed me about this book was that it wasn't really about the nonsense that is social media these days - it was a good 3/4 of the way through the book that Philip actually realised that he'd made anything more than a blunder regarding the company. He had no idea (because he deleted all relevant messages) that the world was upset about the misogynistic comments that he hadn't even realised that he'd made.
I did enjoy the bits about his background, his childhood, how he'd met his wife, his student life and his relationship with an Indian student. These episodes were a breath of fresh air. I also smiled at his hopeless ineptitude with the many remembrance poppies that he lost along the way.
Counterbalancing that were the huge number of unnecessarily intellectual words used by Philip, I don't think my Kindle dictionary has ever worked so hard. Really, he was such an irritating boffin, I could have thrown his own book at him!
Mirror, Shoulder, Signal was shortlisted for the Man Booker International Prize 2017, and like it's colleague, the Man Booker Prize, this seems to imply a somewhat off-the-wall read. I haven't followed the International version of the prize in the past, but it probably represents my taste more than the English version.
This is a Danish author, in translation, and if I'm honest, not a lot happens. It's a short book at under 200 pages, and centres around Sonja, a middle-aged woman, who is trying prove something to herself by learning to drive. Her driving instructor won't let her touch the gear lever and changes gear for her, which is understandably frustrating.
She holds down a job translating a crime writer's novels from Swedish to Danish, and as he seems to be quite a well known author, this job gives Sonja some degree of respect. Meanwhile she goes for regular massage with Ellen, a somewhat forward masseuse who reads all sorts if importance into every ache and pain that Sonja confesses to.
Living in Copenhagen, Sonja frequently thinks with nostalgia of her childhood in the wilds of Denmark, where her sister, Kate, still lives. Kate avoids answering the phone and Sonja is progressively more frustrated by her inability to contact her sister.
"Sonja knows this much about love: there's not much of it in practice, but it's always thrived on people's tongues." (loc 777).
The translation was good and I guess I learned a little about life in Denmark, a place I've never been, but this is not a book I'll be encouraging everyone to buy.
I think I was expecting this to be more along the lines of Stuart: A Life Backwards by Alexander Masters, than this frantic nightmare dash from danger to hazard to disaster. I wasn't sure If I'd continue at first but it sucked me in and, like Copper, I needed to find the answers, be they good, or bad news.
Copper is an eleven year-old girl, homeless on the streets of a fictional town in Texas. It's a rough area, with gangs, addicts, prostitutes and homeless on every corner. She's lived in this area all her life and knows it like the back of her hand, but she's always had her mother at her side. When Mama disappears, Copper leaves no stone unturned in her efforts to find her, even though it seems to result in pain and injury from all sides.
Her Mama (Corrine Daniels) has ingrained in her, to only trust herself, but it becomes evident that she is going to need a little help. Several people saw Corrine the night before she disappeared and Copper gets a confusing set of clues as to what happened. Meanwhile, Mama seems to have stolen something form someone who wants revenge on Copper, or $1,000.
Further complication arises when a husband and wife TV evangelist team turns up in the town, with their 'Hail Marys' and 'Save the Lords'.
So, I ask myself, after all this, would I read the second book in the trilogy? And surprisingly, I find myself answering, Yes! Although the magical realism bits did stretch my imagination a bit and didn't really add anything.
It took me a little while to get into the audiobook version of this who-done-it, and I had to rewind the first hour to listen to it again. I'm not American, so I'm assuming it was the narrator's slightly fast American accent that stumped me. I sometimes find it can take a while to get into an audiobook because you can't listen to the details of new characters and places at your own pace.
The opening hour of the book related to an American diner, The Bully Pulpit (strange name!), whose boss, Ben Addison, had announced that tips were being stopped and replaced by a (small) increase in hourly wages. The staff were up in arms, but it also prompted demonstrations from the local agricultural college, some of whom were for tipping and others who were against. Then the college debate team got involved, interviewing the demonstrators and generally causing mayhem. Unfortunately, amongst all this chaos, Ben was murdered.
Was it one of his staff, one of his customers, one of the demonstrators.....?
Enter the local Police Chief, Elizabeth Friedman and her friend, Medical Examiner Skelly, to unravel the clues and bring the perpetrator to justice.
I'm not quite sure what the term 'Cozy Mystery' means, but I assume this would fall into that genre. It sort of rumbled along, gathering clues, adding new suspects, eliminating others, until we discovered who had committed the murder, and why.
I enjoyed it while it lasted but I wouldn't search out this author again. The audio version, in particular, is probably more suited to an American audience.
My thanks to the author, publisher and narrator, who provided me with a free copy of this audiobook through Audiobook Boom via Audible, in exchange for an unbiased review.
At the time that Yugoslavia collapsed, and Sarajevo was under siege, we were dependent on journalists to inform the world of the atrocities being carried out. These days, with Facebook, Twitter and the gamut of social media, we really have no excuse to claim that we are ignorant. It leaves me shamed and speechless to realise that it took a seven year old girl to alert the world to the recent situation in Aleppo.
Bana Alabed has written a revealing account of life in Aleppo, starting before the siege and then detailing the awful situation her family found themselves in. Inserts from her mother (an English teacher), provide another view-point and some background to supplement Bana's narrative.
Her family was reasonably well off, so they had the luxury of solar panels to power Ipads and telephones and Bana was able to send out Tweets, alerting her followers, of the building tensions and destruction surrounding her and her family. Eventually the authorities became wise to her activities and she, herself, became a target for the regime.
In spite of defamatory trolls and on-line rebuttals, denying the source of the Tweets, it has been proven that she was in the places she claims and in a position to send out the messages. A seven year old was truly keeping the world informed.
This book was a brave effort on the part of the author, to approach the issue of acquaintance rape, why it happens and how we can help prevent it by educating our children.
While I was searching for more information about the author, I came upon a You Tube video of her talking about a similar event that happened to her in her teens and I realised that this was more than just a novel, this was the author reaching out about something that she felt strongly about - the issue of consent. It also helped that in this book the issue was covered from the point of view of both victim and rapist.
*Spoiler alert - I may have discussed too much of the plot in the following review, please stop here if you haven't read the book.*
Tyler and Amber met as children when Tyler's family moved into the same street. Amber was an only child, with very sociable parents and they immediately welcomed Tyler and his family. The two Mums became best friends and after Tyler's parents separated, Amber's parents invited him and his Mum to join them on holidays.
All through childhood they were each other's closest friends. Tyler was Amber's greatest support when she suffered severe eating disorders, spending a large chunk of time in hospital, and whenever she needed him he was there for her.
Unfortunately Tyler harbored desires beyond just friendship, while Amber considered him to be like a brother. He was struggling to come to terms with Amber's engagement to another student that summer when everything fell apart.
Tyler also had his own issues and suffered with anxiety, largely caused by his awful bully of a father. I was pretty horrified that Amber was so bruised after the event, I suppose Tyler's behaviour with Whitney should have rung warning bells, but he supposedly loved Amber, he proceeded without consent, yes, but did he have to be so violent? It almost adds another dimension to the central issue of the book.
My BG wasn't very impressed with this book, giving ratings as low as 2 stars, they didn't think it was very well written, and in some ways I have to agree; there were parts that didn't quite work.
What bothered me most, was the resolution. Why was it that Tyler was expected to turn himself in, yet Amber was not taken to account for her actions with the gun. By the end of the book, was it right that Amber should be just allowed to walk away and start again?
As an aside to the book, do be sure to search out Amy Hatvany's comments in "The Conversations We’re Not Having With Our Sons", published as a guest post in The Manifest-Station. http://www.themanifeststation.net/2017/03/26/conversation-not-sons/
This book actually makes me feel rather uncomfortable - why would a young child hate her shadow? I've always encouraged my children and grandchildren to think of their shadow as a friendly presence, not something to be scared of.
Then, when Hortense slams the window sash down, the shadow howls and kicks and scratches at the glass, well, by this time, no wonder she's petrified by her shadow.
The art work is cute, with a Russian feel, cold and snowy, and this book appears to be well received by other reviewers. As yet my granddaughter is still a bit young to really test her reception to it, although I'm in no hurry to give her shadow-phobia. Maybe this is just one that I'll let pass by.